The project, winner of the Iuav Student Senate Call for Ideas, involved about two hundred students in a series of five talks and a workshop in which participants were invited to put themselves in the shoes of supporters of four Italian political bangs: authoritarian left and right, liberal left and right. The invited guests were: Noemi Biasetton, Alessandro Lolli (Effequ), Mattia Salvia (NERO), Alessandro Orlowski, Ruben Pater (Valiz). A publication collecting the conference transcriptions is being prepared, in digital (website) and print (book) form.

The project aims to map the de characteristics of twentieth-century music graphic scores so as to design a digital archive to accommodate them. To do this, the work of Domenico Guaccero, an Apulian musician active between the 1960s and 1980s, was taken as a sample. After a theoretical analysis based mainly on the framework developed by Andrea Valle in his La notazione musicale contemporanea (2002), the data acquired from these scores were put into logical form. For the production of the prototype, the state of the art of archives in the cultural field, and specifically music, was analyzed, thus designing an architecture in line with the Italian REICAT cataloging rules, combined with the graphic score analysis categories developed by Kurt Stone in 1980. The result is an archive model that is heterarchical and scalable to graphic scores in general, a working and implementable prototype of which is presented with this thesis.

Ocio is an association in Venice that does activism on the issue of residency in the city. I designed an easily navigable website for them, including a glossary, to give readers the tools to better understand the technical vocabulary of residency.

An installation that aims to stage the condition of the video-selfie as a "mirror with memory" the impossibility of matching the digital double with the physical body, and the subtle difference between virtual and digital. The work aims to investigate the digital filter as the ultimate manifestation of a necessity: that of situating ourselves in society through the value of our beauty. The project reworks Interface (1972) by Peter Campus, but translating it from digital to post-digital. Accompanying the installation is a video that narrates the project through a montage of videos from TikTok, enacting the story of Narcissus as told by Ovid. The soundtrack is based on a sequence of triplets and quavers, digitally generated from the metrics of the Latin passage from which it is taken.